Screaming at Bassoonists: A ‘National’ Pastime
On a Saturday evening in late February 2008, a Brooklyn-based rock quintet called The National performed at the Brooklyn Academy of Music’s beautiful Howard Gilman Opera House. The show, in a word, was spectacular. Sporting anywhere from five to fifteen musicians on stage at a time, The National displayed their brand of mellow, brooding chamber rock in a way that felt anything but mellow or brooding. Electric, intense, and huge are just a few of the adjectives that feel more appropriate.








